The present guide has been developed with the goal to become a handy and useful tool for professionals in the field of theatre who want to:
Gain knowledge and introduce digitally-native theatre in their daily work and production.
Further develop their skills and abilities as to work with digital means in the field of theatre or concretely as to work with digitally-native theatre.
Lead training and learning programmes and activities with professionals and non professionals on digitally-native theatre.
That being said, due to its intuitive and easy-to-follow structure featuring tips, examples and concrete activities, this guide can also be used by:
Other professionals (in the field of arts although not exclusively) to broaden their knowledge on different digital tools and methods and their transferability potential to other artistic and social fields
Non professionals (e.g. theatre amateurs, theatre spectators, etc.) who are interested in learning more about digital theatre and would like to actively participate in such initiatives
For the development of any stage project, it is necessary to consider four general aspects: Creation, Production, Promotion and Performance. These processes are not strictly consecutive, but on the contrary, they must be carried out in parallel, excluding the Performance, which is the product of the Creation and Production work.